2nd Step – Layering
In order to give a comprehensible definition of the unknown, it makes sense to divide the causalities (and thus the given potentials) into three strands:
Causalities of physics: The unknown can be a series of temporally conditioned elements in the chain of causalities that could not be foreseen by us because of their complexity.
Causalities of psyche: In addition, the chain of painful experiences hidden in our subconscious is an essential part of the unknown.
Potentialities: The unknown furthermore results from the programmatic execution of the code of the vivid, by which the potential coordinates of the physical and psychic world become real.
If we put the three strands together it is to be seen that in our perception, the dark matter (and energy) of cosmic-physical causalities is mingled with the dark energy of our subconscious.
In the 1st step we used a method (derived from the practice of Disegno) in order to formulate aesthetically the potentials of the unknown (or unpredictable).
In the second step, we create the conditions for interpretation, or more precisely, the multiplicity of cultural references.
In order to achieve a multiplicity that has aesthetic coordinates (spatiality and figurations) that can be interpreted, we layer the results elaborated in Step 1.
At first, the layering is done with purely linear forms, until spatial and figurative ones emerge from the compaction.
We understand the geometric condensation, consisting of the superposition of at least 36 linearly executed links each time, as independent results. In the following step, we juxtapose the geometric figurations with those that result from organic overdrawings.